0€
na mesec
Gargantua and Pantagruel
Gargantua and Pantagruel
Številka: 18345585
Partnerska prodaja
The dazzling and exuberant moral stories of Rabelais (c. 1471–1553) expose human follies with their mischievous and often obscene humour, while intertwining the realistic with carnivalesque fantasy to make us look afresh at the world. „Gargantua“ dep ..
Celoten opis
18,80 €
Partner:
LIBRISTO
Zagotovite si brezplačno dostavo s
Naroči pri partnerju
30.7.2024
predviden osebni prevzem
Več informacij
30.7.2024 -
2.8.2024
predvidena dostava na dom
Artikli partnerja LIBRISTO
Za prodajo odgovarja mimovrste=), vključno z morebitnimi reklamacijami ali vračili artiklov.
Partner pošlje artikle v ločeni pošiljki.
Način in ceno dostave določi partner. Osebni prevzem partnerskih artiklov v mimovrste=) trgovinah ni mogoč.
Številka:
18345585
Predstavitev
Ta knjiga je v tujem jeziku: Angleščina
Lastnosti knjige
Originalni opis knjige
The dazzling and exuberant moral stories of Rabelais (c. 1471–1553) expose human follies with their mischievous and often obscene humour, while intertwining the realistic with carnivalesque fantasy to make us look afresh at the world. „Gargantua“ depicts a young giant, reduced to laughable insanity by an education at the hands of paternal ignorance, old crones and syphilitic professors, who is rescued and turned into a cultured Christian knight. And in „Pantagruel“ and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.
Lastnosti knjige
- Jezik: Angleščina
- Založnik: Penguin Books
- Vezava: Knjiga – Brošura
- Število strani: 1088
Originalni opis knjige
The dazzling and exuberant moral stories of Rabelais (c. 1471–1553) expose human follies with their mischievous and often obscene humour, while intertwining the realistic with carnivalesque fantasy to make us look afresh at the world. „Gargantua“ depicts a young giant, reduced to laughable insanity by an education at the hands of paternal ignorance, old crones and syphilitic professors, who is rescued and turned into a cultured Christian knight. And in „Pantagruel“ and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.