0€
na mesec
American Cinema
American Cinema
Številka: 18341611
Partnerska prodaja
The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwrite ..
Celoten opis
16,15 €
Partner:
LIBRISTO
Zagotovite si brezplačno dostavo s
Naroči pri partnerju
9.8.2024
predviden osebni prevzem
Več informacij
9.8.2024 -
14.8.2024
predvidena dostava na dom
Artikli partnerja LIBRISTO
Za prodajo odgovarja mimovrste=), vključno z morebitnimi reklamacijami ali vračili artiklov.
Partner pošlje artikle v ločeni pošiljki.
Način in ceno dostave določi partner. Osebni prevzem partnerskih artiklov v mimovrste=) trgovinah ni mogoč.
Številka:
18341611
Predstavitev
Ta knjiga je v tujem jeziku: Angleščina
Lastnosti knjige
Originalni opis knjige
The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays „Toward a Theory of Film History“ and „The Auteur Theory Revisited.“ Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject.
Lastnosti knjige
- Jezik: Angleščina
- Založnik: Perseus Books
- Vezava: Knjiga – Brošura
- Število strani: 392
Originalni opis knjige
The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays „Toward a Theory of Film History“ and „The Auteur Theory Revisited.“ Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject.